Interdisciplinary artist Clare Weeks uses her own body to explore illness, identity, and the relationship between fragility and endurance.

Mario Giacomelli reinforces the idea that photography can operate as a record of perception rather than a record of reality.

Sophie Calle works in a way where life and art are completely mixed together.

This week explores how contemporary artists use technology to create artworks that respond, shift, or evolve through audience interaction, code, sensors, virtual reality, robotics, and artificial intelligence.

Through performance, printmaking, and installation, Carolyn Craig explores the systems and expectations that influence identity and behaviour.

Julianne Swartz is an artist known for her installation-based practice that integrates sculpture, sound and architecture.

Many artists today operate as independent workers or sole traders, managing their own creative practice as both artists and small business owners.

Daido Moriyama's practice is closely connected to the act of wandering. He has often described himself as a stray dog walking through the streets with a camera.

In our first guest lecture, artist Divya Lotliker shared insights into her artistic practice and the development of the artist-run initiative Riff Raff.

Video art emerged in the late twentieth century when artists began using video cameras and television technology as creative tools rather than simply as devices for recording events.

Rodrigo Valenzuela's Sense of Place repositions landscape as a politically charged and ideologically unstable field rather than a neutral depiction of geography.

During my time in Japan, I experienced an unexpected and meaningful moment connected to my work with The Pictorial List.

The exhibition is a large-scale immersive digital environment created by the Japanese art collective teamLab.