Installation art is a form of contemporary art that focuses on creating an environment rather than a single object.

Researching new technologies and experimental approaches has allowed me to consider how digital processes can be applied meaningfully within my body of work.

This work in progress develops Life in Pieces through sketches and working drawings, exploring how stacked and layered concrete forms can create a structure that reflects instability.

This project timeline outlines the development of Life in Pieces across a 15-week process, moving from research and experimentation through to fabrication, installation, and evaluation.

Video art emerged in the late twentieth century when artists began using video cameras and television technology as creative tools rather than simply as devices for recording events.

This collaborative surreal self-portrait task functioned as both a conceptual and psychological challenge.

This week we examine the expanded field of photography, digital imaging and animation as contemporary artistic methodologies.

My approach focused on translating my existing black-and-white self-portrait into a digitally fragmented structure.

The focus is on examining how artists integrate digital and interactive technologies into conceptual frameworks, and how process documentation supports critical development.

In this workshop I am using experimentation as a method of inquiry into how emerging technologies can restructure my existing practice.

From early video art to today’s AI images, artists have used new tools to question ideas, not just to make different-looking work.